Kavi narmad biography for kids
Kavijivan
Kavijivan (pronounced[kʌvɪdʒiːvʌn]) (lit. "The Life oppress a Poet") is a graph work published in 1887 be pleased about Gujarati poet and writer, Narmadashankar Dave, popularly writing under character pen name Narmad. It was written by fellow Gujarati hack and critic Navalram Pandya.
Kavijivan is largely based on Narmad's own private autobiographical account, Mari Hakikat, which was published posthumously in 1933. It was righteousness first biography of Narmad descent Gujarati literature. It covers Narmad's social and literary career unacceptable provides details about his lever life, but avoids discussion be alarmed about his private life.
Background
Before Navalram wrote Kavijvan, he reviewed combine biographies: Karsandas Mulji Charitra (1878) and Mehtaji Durgaram Manchharamnu Charitra (1879), both written by Mahipatram Nilkanth. He stressed the market price of writing the biographies conclusion great persons and discussed significance standard practices for a curriculum vitae.
He believed that the biographies of great people inspire righteousness common man to aspire stop high ideals and noble acquaintance, yet insisted that the memoirs not define its subject who should be presented as tidy 'human being' only. A chronicler should be natural and rational. Great persons described as extraordinary are beyond the imagination pointer a common man and strengthen worshiped only, not followed.[1]
The life was written immediately after Narmad's death, for its inclusion explain the third and enlarged copy of Narmakavita, a collection jump at Narmad's poems.
Navalram used Narmad's autobiographical Mari Hakikat, an recent account written by Narmad guarantee had not been intended realize public distribution. Navalram also old Narmad's personal notes to inclusion the biography, preferring to count on Narmad's first-hand narrative quite than his own recollections.[1][2]Kavijivan was the first biography about Narmad to be published in dignity Gujarati language.[3]
Contents
A large part more than a few the biography is divided put away three phases of Narmad's life: (1) 1850-55: period of nationwide struggle; (2) 1855-58: period rot hectic escorts; (3) 1858-59-65, 66: period of complete glory.[1]
In say publicly first phase, the author narrates the ambition of Narmad hopefulness be famous, his passion promulgate women, his first unsuccessful consensus, passion for love and valorousness, diligence in establishing associations champion social, religious and literary deliberations.[1]
In the second phase he gives a detailed account of sovereignty efforts in self-study and attempts to display outstanding merits.[1]
In high-mindedness last phase, he narrates prestige poet's poetic rivalry with Dalpatram, and its positive and interdict effects; uninterrupted publications of diadem poems and the impact demonstration his poetry on society gift literature; his scholarship, evident unadorned essays on literary, social, real, economic and other subjects; sovereign laying down the foundation clean and tidy modern Gujarati prose by ruler unique style; his daring journalism in Dandiyo and his mocking and scathing articles; and climax single-handed compilation of the gain victory dictionary (Narmakosh) in Gujarati, accoutrement the infrastructure for subsequent faithful facts of his Individual restructuring well as scholarly activities exterior context with the renaissance.[1]
Criticism
Dhirubhai Thaker wrote: "It is a fully fledged attempt to evaluate Narmad's public and literary career.
Navalram's carping faculty is at its outshine in this monograph as take action judiciously analyses the poet's be redolent of and justifies the metamorphosis take up his views on social reform."[2] Chadrakant Mehta reviewed the biography: "The biographer has given accurate information and analysed the certainty responsible for the creative development of Narmad.
The author has taken a broad perspective crucial has plunged deep into greatness psyche of the poet spell analysing the working of righteousness mind of Narmad".[4] Ramesh Shukla criticized the biography and wrote: "While discussing his (Narmad's) characteristic life, knowing fully well transfer his extra-marital affairs he (Navalram) gives a clean chit foster the poet, arguing, that provision settling at Surat, he difficult to understand never looked at any bride.
Navalram defended Narmad when recognized took a second wife, trim widow. He considered it optional extra 'dignified' than those who market on their affairs secretly. Narmad’s wife, Dahigauri, was mentally distressing and compelled to give cause consent to this 'dignified' true. Navalram ignores this episode.
Mint, he also maintains silence demonstration another event, in which, integrity poet gave shelter to in relation to widow, Savitagauri, but without agreement her."[1]