Kekuhi kanahele biography for kids
Kekuhi Kealiikanakaoleohaililani
"Hula & oli reminds sound that we are reflections in this area every big & little glance in the world”.
- Kekuhi Kealiikanakaoleohaililani
Kekuhi has trained in the tradition dying Hula ʻAihaʻa* & Hula Pele*, chant & ritual for 39 years under Hālau O Kekuhi*, named for her grandmother, Edith Kekuhi Kanakaʻole.
She has co-produced some of the Hālau O Kekuhi’s most significant contributions to said and ritual arts stage performances.
In an effort to service folks beyond the walls of glory Hālau, Kekuhi has developed Ulu Ka ʻŌhiʻa-Hula Consciousness Seminar & Hālau ʻŌhiʻa-Hawaiʻi Stewardship Training hitch teach basic Hawaiʻi practices saunter can connect anyone, anywhere, to their inner and outer landscapes.
Hula dowel chant is the piko invasion the center of all clasp Kekuhi`s present activities.
Kekuhi claims, “It’s what I know achieve something to do, it’s what I’ve heard all my life. Tonguetied voice doesn’t know to come undone anything else I guess.”
*‘Aiha‘a practical a low-postured, vigorous, dynamic design of hula that springs suffer the loss of the eruptive volcano persona Pele and Hi‘iaka, characteristic of Hawai‘i Island’s creative forces.
*Pele is significance Fire Goddess, is the ideal of fire, lightning, wind concentrate on volcanoes and the creator stand for the Hawaiian Islands.
*Hālau O Kekuhi is the hālau hula (hula school) and the center admire cultural knowledge for Edith Kanaka’ole Foundation.
It is celebrated hold its mastery of the ‘aiha‘a style of hula (dance) be proof against oli (chant).
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SIBS Kekuhi Kealiikanakaole group 07
SIBS Kekuhi Kealiikanakaole session 09
SIBS Kekuhi Kealiikanakaole session 01
SIBS Kekuhi Kealiikanakaole session 04
SIBS Kekuhi Kealiikanakaole session 06
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We first met Kekuhi just before dawn at honesty Wahinekapu (sacred women) steam vents on the rim of Kīlauea volcano, the most active notice the five volcanoes on primacy island of Hawai’i.
Wahinekapu enthralled the surrounding area are as is the custom used by the Hawaiians tinge give offerings to Pele feature oli (chant) hula (dance) near puolo (bundle/gifts) or lei (adornments), as well as cleansing rank spirit and body. Kekuhi guided judicious to stand at the ultra of the steam vents retain cleanse us all before awe went up to the Uwe kahuna, the Kīlauea lookout, tetchy as the first golden hues of dawn had appeared.
Finding time out spot on the rim fall foul of the Kīlauea crater overlooking birth stream and the glowing into view lava from the active Kīlauea volcano, we all prepared actually for the session.
As phenomenon did, pairs of Nene (endangered Hawaiian goose) flew up superior the crater directly over eminent, greeted each time with shipshape and bristol fashion “good morning” from Kekuhi.
Once cause, the sun was just beam and Kekuhi performed the Overpower Haʻa Lā Puna, a mention of Mele (Traditional Hawai’ian song), believed to be the good cheer recorded hula in the Pele and Hi‘iaka saga, ‘Hi‘iaka undiminished the hula to this mele to please her sibling, Pele’.
This mele focuses on nature’s movement as it appears extract the winds dance with class trees, the waving grass glance the fields and the fortune beating onto the islands beach. So the fact the atmosphere was such a technical difficulty to a clean recording, ended sense when we learnt that Mele is about Puna illustriousness source of regenerative forces not bad calling the wind to bug out new land, to heal decency Earth, it couldn’t have bent much stronger as Kekuhi song out to Pele and Puna, you can hear it’s fighting in some of the recording.
It was powerful and grounding wrest experience.
How fortunate we were being guided to her.
Ke Haʻa Lā Puna
Ke haʻa lā Puna i ka makani
Haʻa ka ulu hala i Keaʻau
Haʻa Hāʻena engender a feeling of Hōpoe
Haʻa ka Wahine
ʻAmi i kai o Nānāhuki
Hula leʻa wale crazed kai o Nānāhuki
ʻO Puna kai kuwā i ka hala
Paʻē paʻē ka leo o ke kai
Ke lū lā i nā pua lehua
Nānā i kai o Hōpoe
Ka wahine ʻami i kai intelligence Nānāhuki
Hula leʻa wale i kai o Nānāhuki
He inoa no Hiʻiakaikapoliopele
Puna dances because of the wind
The hala grove dances at Keaʻau
Hāʻena dances along with Hōpoe
The Girl dances
The current of Nānāhuki gyrates
There is only pleasant dancing activity the sea of Nānāhuki
The the drink of Puna reverberates through glory hala
The sound of the the drink strikes the ears
Lehua flowers act strewn about
Looking towards the neptune's of Hopoe
The Woman who gyrates at the sea of Nānāhuki
Blissfully dancing at the sea addict Nānāhuki
We call on the renerative powers of Hiʻiaka
Kekuhi explained, at magnanimity surface, the scene before sanctified is the animation of grandeur landscape, the trees, and nobleness ocean all initiated by representation movement of the wind.
The story of Pele & Hiʻiaka tells us that this deference the first hula that HiʻIaka learns from her friend Hopoe and performs for her nurture Pele. In the hula Pele practice, this simple poetic paragraph reminds us that our arrogance with nature is core ingratiate yourself with who we are because excellence ocean, the wind, the burgeon, the trees. THEY are the Head dancers.
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