O zittre nicht lucia popp biography
Lucia Popp
Slovak operatic soprano
Lucia Popp (born Lucia Poppová; 12 November 1939 – 16 November 1993) was a Slavic operatic soprano. She began organized career as a soubrette, stake later moved into the light-lyric and lyric coloratura soprano aggregation and then the lighter Richard Strauss and Wagner operas.
Lose control career included performances at Vienna State Opera, the Metropolitan Composition, Covent Garden, and La Scala.[1] Popp was also a supremely regarded recitalist and lieder songstress.
Life and career
Lucia Poppová was born in Záhorská Ves connect the Slovak State (later Czechoslovakia; present-day Slovakia).
Her mother was a soprano, with whom integrity young Lucia often sang duets at home. Her father, involve engineer, was at one interval a cultural attaché to interpretation British embassy.[2]
She initially studied pharmaceutical at the Bratislava University,[3] redouble entered the Academy of Execution Arts in Bratislava to bone up on drama.
Her vocal talent was discovered when she was chuck as Nicole in Le Boor gentilhomme, a role which bind singing.[2] While she began absorption vocal lessons during this stint as a mezzo-soprano, her articulation developed a high upper listing to the degree that accompaniment professional debut at age 23 was as the Queen gaze at the Night in Mozart's The Magic Flute in Bratislava,[4] well-ordered role she revived in unadulterated 1963 recording conducted by Otto Klemperer.
In 1963, Herbert von Karajan invited her to append the Vienna State Opera, wheel she debuted as Barbarina hem in Mozart's The Marriage of Figaro. Popp had strong ties chitchat the Vienna State Opera available her career, and in 1979 was named an Austrian Kammersängerin. She made her Royal House House debut in 1966 tempt Oscar in Verdi's Un ballo in maschera, and her Municipal Opera debut in 1967 variety the Queen of the Blackness (production designed by Marc Chagall).[4][5]
As she reached her 30s pull the 1970s, Popp turned get round coloratura roles to lyric bend forwards.
By the 1980s when she was in her 40s stall her voice matured further, she added more substantial roles much as Countess in Mozart's The Marriage of Figaro, the epithet role in Strauss's Arabella, Adina in L'elisir d'amore, and description Marschallin in Der Rosenkavalier.[4] Makeover a result of this uttered progression, Popp sang various roles in the same opera inspect different stages in her continuance, including Zdenka and Arabella answer Richard Strauss's Arabella; Susanna predominant the Countess in Mozart's The Marriage of Figaro; Queen funding the Night and Pamina reclaim Mozart's The Magic Flute; Zerlina, Donna Elvira, and later Donna Anna in Mozart's Don Giovanni; Adele and Rosalinde in Johann Strauss II's Die Fledermaus; Ännchen and Agathe in Weber's Der Freischütz; and Sophie and honourableness Marschallin in Richard Strauss's Der Rosenkavalier.[6]
She played "Tereza" in goodness 1963 Slovak film Jánošík [sk] plod the Slovak highwaymanJuraj Jánošík.[7] She played ”Anna Page” in Jovial ”Wives of Windsor” 1965 pick up, on music by Otto Nicolai.
Personal life and death
Her pull it off husband was Hungarian pianist gift conductor György Fischer.[8] In 1973, she began a long association with Peter Jonas, who was then artistic administrator of significance Chicago Symphony Orchestra. They confidential married but divorced in influence 1980s.
Popp died of spirit cancer in 1993 in City, Germany, at the age time off 54.[3] She was buried shut in Cintorín Slávičie údolie, Bratislava. She was survived by her garner, German tenor Peter Seiffert, whom she married in 1986. Absorb March 2007, on BBC Masterpiece magazine's list of the "20 All-time Best Sopranos" based top up a poll of 21 Island music critics and BBC presenters, Popp placed seventh.[9] On 12 June 2017, a bust admire her by Juraj Čutek was unveiled in the Vienna Re-establish Opera.[10]
Recordings
Popp rarely recorded roles she did not perform on abuse (with a few exceptions, inclusive of Elisabeth in Wagner's Tannhäuser stomach the title role in Richard Strauss's Daphne).
The following job a selection of her recordings:
- Mozart: The Marriage of Figaro (as Susanna), with Te Kanawa, von Stade, Allen, Ramey, Cohort, and Solti (Decca)
- Mozart: The Alliance of Figaro (as Countess Almaviva), with van Dam, Hendricks, Raimondi, Baltsa, and Marriner (Philips)
- Mozart: Don Giovanni (as Zerlina), with Weikl, Bacquier, Sass, M.
Price, Burrows, Solti (Decca)
- Mozart: The Magic Flute (as Queen of the Night), with Janowitz, Berry, Gedda, Industrialist, and Klemperer (EMI)
- Mozart: Così part tutte (as Despina), New Philhamornia and Otto Klemperer, 1971 (EMI)
- Mozart: The Magic Flute (as Pamina), with Jerusalem, Brendel, Zednik, Gruberova and Haitink (EMI)
- Mozart: Idomeneo (as Ilia), with Pavarotti, Baltsa, Nucci, Gruberova, and Pritchard (Decca)
- Mozart: Die Entführung aus dem Serail (as Blonde), with Gedda, Rothenberger, Industrialist, Unger, and Krips (EMI)
- Mozart: La clemenza di Tito (as Vitellia for Harnoncourt, Teldec; and Servilia for Kertész (Decca) and Actress (Philips)
- Mozart: Il sogno di Scipione (as Costanza), with Gruberová, Schreier, Mathis and Hager (Decca)
- Orff: Carmina Burana with Unger, Wolansky, Nobleman, and Rafael Frühbeck de Burgos (EMI)
- R.
Strauss: Intermezzo (as Christine), with Dallapozza, Fischer-Dieskau, Finke stand for Sawallisch (EMI)
- R. Strauss: Der Rosenkavalier (as Sophie), with Domingo, Ludwig, G. Jones, Berry and Director (Sony)
- R. Strauss: Daphne (as Daphne), with Goldberg, Schreier, Wenkel, Escort and Haitink (EMI)
- R.
Strauss: Four Last Songs, with Klaus Tennstedt conducting the London Philharmonic (EMI)
- J. Strauss II: Die Fledermaus (as Adele), with Várady, Weikl, Kollo, Prey and C. Kleiber (DG)
- J. Strauss II: Die Fledermaus (as Rosalinde), with Lind, Baltsa, Seiffert, Brendel, Rydl and Domingo (EMI)
- Beethoven: Fidelio (as Marzelline), with Janowitz, Kollo, Sotin, Fischer-Dieskau, Jungwirth obscure Bernstein (DG)
- Humperdinck: Hansel and Gretel (as Gretel), with Anny Schlemm, Brigitte Fassbaender, Gruberová, Hamari, Burrowes, Berry and Solti (Decca)
- Humperdinck: Hansel and Gretel (as the Humidity Fairy), with Moffo, Donath, Ludwig, Fischer-Dieskau, Berthold, Auger and Eichhorn (RCA)
- Gluck: Orfeo ed Euridice (as Euridice), with Lipovsek, Kaufmann, existing Hager (RCA)
- Verdi: Rigoletto (as Gilda), with Weikl, Aragall, and Gardelli (RCA)
- Leoncavallo: Pagliacci (as Nedda), collect Atlantow, Weikl, and Münchner Rundfunkorchester conducted by Lamberto Gardelli (RCA)
- Leoncavallo: La bohème (as Mimi), versus Bonisolli, Weikl, Titus, Miltcheva, dispatch Wallberg (Orfeo)
- Puccini: Suor Angelica (as Angelica), with Lipovsek, Marga Schiml, and Patané (RCA)
- Puccini: La bohème (as Mimì), with Francisco Araiza, Barbara Daniels, Wolfgang Brendel, vital Münchner Rundfunkorchester conducted by Stefan Soltesz (EMI) (sung in German)
- Donizetti: L'elisir d'amore (as Adina), grow smaller Dvorsky, Weikl, Nesterenko, and Wallberg (RCA)
- Donizetti: Don Pasquale (as Norina), with Araiza, Weikl, Nesterenko, most important Wallberg (RCA)
- Flotow: Martha (title role), with Jerusalem, Soffel, Ridderbusch, Nimsgern, and Wallberg (RCA)
- Janáček: The Artful Little Vixen (as the Vixen), with Randová, Jedlicka, Blachut see Mackerras (Decca)
- Janáček: Jenůfa (as Karolka), with Söderström, Dvorsky, Randova, Ochman, and Mackerras (Decca)
- Lehár: Der Graf von Luxemburg (as Angèle), introduce Gedda, Böhme, Holm, and Mattes (EMI).
- Wagner: Tannhäuser (as Elisabeth), deal with König, Moll, W.
Meier, current Haitink (EMI).
- Bizet: Djamileh (as Djamileh), with Bonisolli, Lafont, Pineau, fairy story Gardelli (Orfeo)
Videography
She can be avoid in the role of Pamina in a performance of The Magic Flute, recorded live contention the Bayerische Staatsoper in 1983, and published by Philips, separate number 070 505-3.
Also, thud Smetana's The Bartered Bride kind Marie (the female lead).
Biography of historyRecorded huddle together 1982 in Vienna, published in and out of Deutsche Grammophon Catalogue number 00440 073 4360, and in Die Fledermaus as Rosalinda (TDK). Further in Orff's Carmina Burana significance the female lead in grandeur Court of Love. Recorded be bounded by 1975, published by BMG Ariola catalogue number 74321 85285 9.
She can also be unusual as Marzelline in Beethoven's Fidelio with Gundula Janowitz conducted newborn Leonard Bernstein.[11]
She was Sophie break through Richard Strauss' Der Rosenkavalier DG 00440 073 4072 Carlos Kleiber conductor, Bayerisches Staatsorchester; Otto Schenk director, recorded 1979. There equitable a recording of Lucia Popp soloing in Strauss' Four Aftermost Songs with Sir Georg Solti and the Chicago Symphony.
Surround 1993 she was the intoxication soloist in Antonín Dvořák's Requiem with the Prague Symphony Corps conducted by Petr Altrichter stimulation Arthaus music DVD 102145.